4,451 Royalty-Free Audio Tracks for "Midi Note"

*Euler's number (e) on C. e/2 = 2.71828/2 = 531.23 cents. MIDI pitch bend: 127,73

Minor eleventh chord in Herbie Hancock's "Maiden Voyage".

Minor 6/9 chord on C. Created by Hyacinth (talk) 09:57, 11 December 2011 (UTC) using Sibelius 5.

A thirteenth chord "collapsed" into one octave results in a dissonant, seemingly secundal[1] tone cluster. Created by Hyacinth (talk) 22:18, 5 July 2009 using Sibelius 5.

Minor ninth chord on C. Created by Hyacinth (talk) 08:44, 29 May 2011 (UTC) using Sibelius 5.

Octave on C. 16/1: 4800 cents.

Alpha scale harmonic seventh chord on C. MIDI pitch bend matches intervals.

CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.

Georg Friedrich Händel: Lascia ch’io pianga

*Euler's number (e) on C. 2.71828 : 1 = 1731.23 cents. MIDI pitch bend: 127,73

*Quarter-comma meantone minor third on C. 6:5÷(81:80)1/4 = 310.26 cents.

Just harmonic seventh chord on C. Created by Hyacinth (talk) 18:59, 10 November 2011 with Sibelius 5.

Johannes Brahms: Guten Abend, gut Nacht

Ninth augmented fifth chord on C.

Admonter Krippenlied Text von Leopold Hörlezeder: Ein Kindlein uns geboren ist zu Bethlehem im Stall. Das Kindlein ist Herr Jesus Christ, drum freut, o freut euch all! Das Kindlein sieht nicht Geld und Gut, nicht Macht und Würde an. Wer seines Vaters Willen tut, der hat ihm wohlgetan. Es ist vor ihm kein Unterschied: Es bringt zu allen gleich der Heiland, der die Herzen sieht, des Vaters Himmelreich. O nieder's Haus voll Herrlichkeit! Zu Bethlehem im Stall ward aller Welt ein Segen heut, o freut, o freut euch all!

The most basic ride pattern in rock and other styles. References: Schroedl, Scott (2001). Play Drums Today!, p.9. Hal Leonard. ISBN 0634021850 Eighth-note ride pattern played with triplet swing.

Prime form of five note tone row from Igor Stravinsky's In memoriam Dylan Thomas.

Rudiments of the 12-note series from Stockhausen's Klavierstück III (Leeuw 2005, 176–77). Created by Hyacinth (talk) 01:36, 20 October 2010 using Sibelius 5.

Pierre Boulez's Second Piano Sonata series. Created by Hyacinth (talk) 01:57, 19 October 2010 using Sibelius 5.

The 'D-Beat' in musical notation.

The tone row from the first movement of Alban Berg's Lyric Suite, according to Wolfgang Stroh.

Post-punk drum pattern.

Characteristic rock drum pattern with rimshot in place of snare

Berg's Lulu Schoolboy tone row on C.

8-16A octachord on C

7-5A heptachord on C

10-6 decachord on C

4-5A tetrachord on C

5-7A pentachord on C

7-2B heptachord on C. Inverted version of 7-2A.

6-21A hexachord on C

4-25 (French sixth) tetrachord on C

5-36ZB pentachord on C

7-35 (diatonic) heptachord on C

Alexander Scriabin: opus 40.02

10-4 decachord on C

8-26 octachord on C

Alexander Scriabin: opus 32.01 (Clavinova version optimized for General MIDI)

6-26Z hexachord on C

8-16B octachord on C

7-16A heptachord on C

4-26 (minor seventh chord) tetrachord on C

9-7A nonachord on C.

7-38ZB heptachord on C

5-31B pentachord on C

Berg's basic tone row from Lulu on C.

6-30B hexachord on C

Giulio Caccini: Amor che attendi.

6-4ZA hexachord on C

5-27B pentachord on C